Q1.
I. Search for poems or songs dedicated to India, your motherland, in your regional language. Share them with your classmates and explain their meaning too.
Answer
How to do it well. Choose one poem or song, not five. Find the original text, read it aloud in the original first, then give a line-by-line sense in English or Hindi, and finish by naming one device the poet uses — because that is what turns a recitation into an explanation.
| Language | A well-known example | Poet / composer | What to point out |
|---|---|---|---|
| Tamil | Vande Mataram (Bharati’s Tamil songs on the motherland) | Subramania Bharati | The same poet as this chapter — compare how he praises Bharat here with how he does it there. |
| Bengali | Amar Sonar Bangla | Rabindranath Tagore | The land addressed as a mother; “sonar” (golden) is the same metaphor as Bharati’s “sunny golden land”. |
| Hindi | Jhansi ki Rani | Subhadra Kumari Chauhan | Patriotism through one heroic life instead of through landscape; note the drumbeat rhythm. |
| Kannada | Jaya Bharata Jananiya Tanujate (the state song) | Kuvempu | Karnataka addressed as a daughter of Mother India — a two-level patriotism, region inside nation. |
| Marathi | Jai Jai Maharashtra Majha | Raja Badhe | Geography used as praise — forts, the Sahyadri, the sea. |
Sample answer (the shape of a two-minute presentation): I chose Kuvempu’s Jaya Bharata Jananiya Tanujate. The title means “Victory to you, daughter of Mother India” — Karnataka is not called a country but a daughter, which is the poem’s central idea. The first lines name the land’s beauty and then its people; the middle names the poets and saints who wrote in Kannada; and the last returns to “jaya he”, exactly as our National Anthem does. The device I want to point out is personification carried through the whole poem: because Karnataka is a daughter and India a mother, loving one cannot mean rejecting the other. Bharati does something very close in Bharat Our Land, where India is “she” and the Ganga is “her”.
Why this activity is set beside this poem: Bharati wrote in Tamil, and what you have read is a translation. Reading a patriotic poem in your own language shows you at once what a translation keeps — the images, the argument — and what it loses: the rhyme, the sound and the tune it was meant to be sung to.