NCERT Solutions for Class 9th Science Chapter 10 .1.1 Tuning fork — Pause and Ponder

Book page 18610 Updated on2026-09-08

Q1.
Explore various ways of producing sound.
Answer

Every method comes down to one thing — making something vibrate. The ways differ only in what is set vibrating.

Way of producing soundWhat vibratesEveryday example
PluckingA stretched stringSitar, veena, guitar, ektara, rubber band
Striking / hittingA stretched membrane or a metal bodyTabla, dholak, taal (manjira), temple bell, tuning fork
BlowingThe air column inside a pipeBansuri, shehnai, conch (shankh), whistle
BowingA string, rubbed by a bowSarangi, violin
Rubbing / scrapingThe two rubbing surfacesCrickets and grasshoppers rubbing wings or legs; chalk squeaking on a board
Forcing air past flapsVocal cordsSpeaking, singing, animal calls
Sudden expansion of hot gasThe air itselfFirecracker, thunder, bursting balloon, sonic boom
Electrical signal driving a coneSpeaker diaphragmMobile phone, radio, loudspeaker
The common thread: in every row, some object is made to move to and fro. That motion squeezes and stretches the neighbouring air, and the resulting density disturbance is what we call sound.
Q2.
Make a list of different types of musical instruments and identify their vibrating parts which produce sound.
Answer
InstrumentFamilyVibrating part that makes the soundHow it is set vibrating
Sitar, veena, sarod, ektaraString (tat vadya)Stretched metal strings; the hollow gourd/body then amplifiesPlucked
Sarangi, violinStringStretched stringsBowed (rubbed)
Tabla, dholak, mridangam, damruMembrane (avanaddha vadya)Stretched skin/membrane of the drum head, plus the air inside the shellStruck
Bansuri, shehnai, whistleWind (sushir vadya)The air column inside the hollow pipeBlown
HarmoniumWindThin metal reedsAir pushed past by the bellows
Manjira (taal), ghanti, ghatamSolid body (ghana vadya)The metal or clay body itselfStruck
Tuning forkSolid bodyThe two prongsStruck on a soft pad
Why most instruments have more than one vibrating part: a bare string or reed moves very little air, so it is quiet. The gourd of a veena, the shell of a tabla and the body of a violin are made to vibrate along with it, and they set a large volume of air moving — so more energy reaches the listener per second and the sound is loud.
Did you know? The black patch at the centre of a tabla head, the syaahi, changes how the membrane vibrates. It is why an Indian drum can be tuned to a definite note, something most drums in the world cannot do — a point Sir C. V. Raman studied in detail.
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