NCERT Solutions for Class 9th Science Chapter 10 Chapter introduction — In-text Questions

Book page 184 Updated on2026-09-08

Q1.
Which form of energy gets converted to sound energy?
Answer

Mechanical energy — specifically the kinetic energy of a vibrating object — is converted into sound energy.

  • When you pluck a rubber band or a sitar string, your muscles do work on it. That work becomes the kinetic energy of the vibrating string, which is then handed on to the air as sound.
  • In a loudspeaker the chain is different: electrical energy → mechanical (vibration of the diaphragm) → sound.
  • In a firecracker it is chemical energy → heat → rapid expansion of gas → sound.
Why it matters: energy can neither be created nor destroyed (you met this in Chapter 7). So sound energy must always be paid for out of some other store. That is also why a plucked band goes quiet after a while — its vibrational energy has been drained away into the air as sound and into heat.
Q2.
How is sound produced and how does it reach our ears?
Answer

Sound is produced by a vibrating object and reaches the ear as a travelling disturbance in the density of a medium.

  1. Production. A source (vocal cords, a tuning fork, a drum membrane, an air column in a bansuri) vibrates — moves to and fro about a mean position.
  2. Propagation. Each forward push of the source squeezes the nearby air particles together and makes a compression (density above average). Each backward movement leaves a rarefaction (density below average). Particles collide with their neighbours and pass the squeeze forward, so the compression travels on while each particle only oscillates about its own mean position.
  3. Detection. The arriving compressions and rarefactions push and release the eardrum, making it vibrate. Tiny bones amplify the vibration, the cochlea turns it into electrical signals, and the brain reads them as sound.
C R C R C direction of propagation of the wave source vibrates → compressions and rarefactions travel → eardrum vibrates
Air particles between the source and the ear: crowded in a compression (C), spread out in a rarefaction (R). The pattern moves to the right; the particles do not.
Tip: keep the two ideas apart — the disturbance travels, the particles do not. What actually arrives at your ear is energy, not the air that was next to the tuning fork.
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