NCERT Solutions for Class 9th English Chapter 3 Winds of Change (prose) — Speaking Activity

Book page 80 Updated on2026-09-08

Q1.
I. Work in groups of four. Look at the pictures of the four different kinds of fans given below. [Four labelled pictures: a woven palm-leaf Hand fan on a stick; a three-blade Ceiling fan; a Table fan with a round guard on a pedestal; a small battery-operated Handheld fan.] • Each of you in the group will pick one kind of fan. • Imagine yourself to be that fan. • Use the points given in the box below. – Introduce yourself as the fan which you have chosen. – Describe yourself, for example, your features, etc. – What do you like about yourself? – What do you feel is your weakness? – What makes you unique?
Answer

This is a spoken monologue in the first person — you are the fan. Speak for about a minute and a half, and keep to the five points in the order the box gives them, so the group can compare four talks fairly.

What a good talk needs:
  • Consistent voice. Use “I” throughout, and give the fan a personality that matches the object — the ceiling fan can be steady and a little grand, the handheld one quick and restless.
  • Real, checkable detail in the description: material, size, how many blades or ribs, how you are powered, what you cost, where you hang or sit.
  • An honest weakness. This is the point most students skip. Every fan has one — and naming it is what makes the talk interesting.
  • A “unique” point that no other fan in the group can claim. Decide it in advance so that the four talks do not overlap.
  • Delivery: look up from your notes, vary your pace, and end on the unique point rather than trailing off.

Sample answer: the Hand fan

“Namaste. I am the hand fan — the pankha. I am the oldest of us four by a very long way: my ancestors are painted on the walls of the Ajanta caves, from the second century of the Common Era, and my name comes from pankh, the feather of a bird. I am about the size of a dinner plate, woven from split bamboo strips over a bamboo frame, with a red cotton border stitched round my edge, and a handle you can hold in one hand. I weigh less than a slice of bread.

What do I like about myself? I never need electricity. When the power fails on an August night and the ceiling fan hangs there dead, the whole family remembers me. I make no noise, I cost less than a bus ticket, and when I am worn out I go back into the soil, because everything in me grew in a field. I also carry my home on my face — a girl in Kerala can tell at a glance that I was made in Assam.

My weakness? I am lazy only because I have to be carried. I cool one person, and only for as long as an arm is willing to move me. On a still, hot afternoon my owner’s wrist tires before the heat does. And I am fragile — I fray at the border, and a monsoon leak can ruin me in a night.

What makes me unique is this: I am the only fan here that is a work of art. Nobody has ever hung a table fan on a wall as decoration or offered one to a deity in a temple. My mirror work, my zardozi, my beads and my moonj plaiting were made by a pair of human hands, and each of those hands belongs to a place. The other three of you move air. I move air and carry a culture. Thank you.”

Why the ‘weakness’ point matters: it is what turns the activity from description into argument. When all four fans have spoken, the group can see the real trade-off the chapter is about — the electric fans win on effort and coverage, the hand fan wins on cost, silence, independence from electricity and cultural value. That is the debate behind the title, ‘Winds of Change’.
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